Arijit Singh — Official Visual Artist (2019–2024, ~5 years)

Lead Visual Artist for Arijit Singh Live across the world. Designed and operated real-time audio-reactive visuals from arena to stadium. Tours include:

• World Tour (USA, Canada) — April–May 2019
• World Tour (USA, Canada, Europe) — April–May 2022
• Australia Tour — July 2022
• India Tour — November 2022 – March 2023
• Australia & New Zealand Tour — April 2023
• India Tour — November 2023 – May 2024

Built TouchDesigner pipelines driving 8K–12K LED walls; supervised on-site crews of up to 20 technicians; integrated sponsor graphics and live camera feeds with zero downtime across the whole 5-year run.

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Sunidhi Chauhan

• FIFA World Cup Opening, Qatar — Nov 2022. Designed visuals for Sunidhi's performance at the global opening; high-pressure, world-feed broadcast environment.
• "I am Home" Concert — Aug 2023. Custom content for a special-themed show, designed in close collaboration with the artist.
• Live Tour — Nov 2018. Primary VJ across the tour run.

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Vishal-Shekhar

Live show visuals — multi-show run. Worked as part of the touring team.

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Amit Trivedi — Live Tour, Oct 2018

Designed visual content for Amit Trivedi's live performances. Integrated traditional and modern visual elements to match his musical voice.

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Asees Kaur

Live show visuals — multi-show run.

Lakme Fashion Week — Tech Lead, main stage (2018–2019)

Handled main-stage visuals for one of India's premier fashion events. Designed content to complement designer collections and runway choreography; collaborated with designers to align visuals with their collections.

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Bollywood Music Project — In-house VJ (2019–2020)

Created and managed visuals for multiple artists across the festival. Developed a visual language that bridged traditional Bollywood aesthetics with contemporary visual techniques.

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All About Music Conference — Tech Lead & Operator (2019–2020)

Core team running India's industry-wide music conference. Managed visuals for presentations, performances, and interactive installations.

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Fangirl Live — Co-founder & Creative Director (2016–2018)

Co-founded Candyman Entertainment and its IP Fangirl Live, Gujarat's first large-scale fan-experience festival for Indian indie music. Started with intimate house-gigs; grew into a two-day, two-stage festival featuring 24+ indie artists. Year two: built The

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Big Squat venue from the ground up — an 8-week multi-format festival running independent film screenings, stand-up comedy, spoken word, and music, in one space. Onboarded 20 brand partners and crossed 2,000+ attendees over the run.

This is the credit that says I don't just operate visuals — I've built the rooms and the ecosystems they happen in.

Introspection — Technical lead (2019)

A 360° immersive installation by artist Michelle Poonawalla on desensitisation to violence — newsreel and ambient audio, motion-sensor-driven response, digitally mapped visuals enveloping the audience (torrential fiery rain washed away by a cacophony of butterflies). I led the technical implementation across the international run:

• Alserkal Avenue, Dubai — March 2019 (Art Week Dubai)
• Saatchi Gallery, London — September 26–29, 2019 (START Art Fair)
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Sound Canvas — AAM 2025

Generative-AI installation for the All About Music conference, 2025 (commissioned by ChordFather Studio). Audience drew on a live iPad; an SDXL Lightning + ComfyUI API loop turned the strokes into a continuously evolving visual at ~800 ms latency. An installation that's AI-powered under the hood — the room saw a real-time canvas, not a model.

A short factual block, no fluff:

• TouchDesigner for real-time audio-reactive visuals; custom node networks for show-specific looks; spout/syphon outputs to media servers.
• LED wall pipelines at 8K–12K resolution; frame-perfect sync with broadcast feeds and lighting consoles (DMX/Art-Net).
• Live show operation — running the show on the night, not just designing it. Cue stacks, cam feeds, sponsor lower-thirds, fail-over plans.
• Crew supervision — managed on-site teams of up to 20 technicians across LED, cam, lighting, audio sync.
• Stage design adaptability — adapted content per venue, per country, per cultural context across 8 countries.

• Node-Shed Bangalore (2024) — "From Shader to Stage: Real-Time Graphics for Live Music." Talk on the path from GLSL practice to running visuals for arena shows.
• National Institute of Design (NID), Ahmedabad — Visiting Faculty (2023–2025) — Teach the Generative Animation elective in p5.js to M.Des cohorts of 30 postgraduate students each semester; covers algorithmic thinking, procedural systems, and intro GLSL.